Full Name (Real Name): Robert Nesta Marley
Birth Date: February 6, 1945
Birth Place: Nine Miles, St. Ann, Jamaica
Death Date: Monday May 11, 1981.
Death Place: Miami, Florida
Bob Marley was a legend in his own time. His music inspired the heart of every person that happened to hear a few bars of his songs. Although he is dead, he is one of the lucky few that will live on forever in the hearts of all that loved him. Bob Marley was a hero figure, in the classic mythological sense. He gave the world brilliant and evocative music; his work stretched across nearly two decades and yet still remains timeless and universal. Bob Marley & the Wailers worked their way into the very fabric of our lives.
It is important to consider the roots of this legend: the first superstar from the Third World, Bob Marley was one of the most charismatic and challenging performers of our time and his music could have been created from only one source: the street culture of Jamaica.
Bob's story is that of an archetype, which is why it continues to have such a powerful and ever-growing resonance: it embodies political repression, metaphysical and artistic insights, gangland warfare and various periods of mystical wilderness. And his audience continues to widen: to westerners Bob's apocalyptic truths prove inspirational and life-changing; in the Third World his impact goes much further. Not just among Jamaicans, but also the Hopi Indians of New Mexico and the Maoris of New Zealand, in Indonesia and India, and especially in those parts of West Africa from wihch slaves were plucked and taken to the New World, Bob is seen as a redeemer figure returning to lead this planet out of confusion.
Bob Marley's Life
Robert Nesta Marley was born 6th February 1945 in a small village called Nine Miles in the parish of St. Ann, Jamaica. His mother was an eighteen-year-old black girl called Cedella Booker while his father was Captain Norval Marley, a 50-year-old white quartermaster attached to the British West Indian Regiment. Bob had only a scant recollection of his father. This was largely due to the fact that the 'well to do' Marley family did not approve of the relationship Norval had formed with Bobs mother Cedella. His father therefore, despite marrying Cedella, was more an occasional visitor. He did not live to witness the success of his son Bob. In 1962 Bob Marley auditioned for a local music entrepreneur called Leslie Kong. Impressed by the quality of Bob's vocals, Kong took the young singer into the studio to cut some tracks, the first of which, called "Judge Not", was released on Beverley's label. It was Marley's first record.
The other tunes - including "Terror" and "One Cup of Coffee" - received no airplay and attracted little attention. At the very least, however, they confirmed Marley's ambition to be a singer. By the following year Bob had decided the way forward was with a group. He linked up with Bunny and Peter to form The Wailing Wailers. It was the time of ska music, the hot new dance floor music with a pronounced back-beat. Its origins incorporated influences from Jamaica's African traditions but, more immediately, from the heady beats of New Orleans' rhythm & blues disseminated from American radio stations and the burgeoning sound systems on the streets of Kingston. Clement - Sir Coxsone - Dodd was one of the city's finest sound system men.
The Wailing Wailers released their first single, "Simmer Down", on the Coxsone label during the last weeks of 1963. By the following January it was number one in the Jamaican charts, a position it held for the next two months. The group - Bob, Bunny and Peter together with Junior Braithwaite and two back-up singers, Beverly Kelso and Cherry Smith - were big news. "Simmer Down" caused a sensation in Jamaica and The Wailing Wailers began recording regularly for Coxsone Dodd's Studio One Company. The groups' music also found new themes, identifying with the Rude Boy street rebels in the Kingston slums. Jamaican music had found a tough, urban stance.
Bob Marley in America
Despite their popularity, the economics of keeping the group together proved too much and the three other members - Junior Braithwaite, Beverly Kelso and Cherry Smith - quit. Bob's mother, Cedella, had remarried and moved to Delaware in the United States where she had saved sufficient money to send her son an air ticket. The intention was for Bob to start a new life. But before he moved to America, Bob met Rita Anderson and, on February 10, 1966, they were married.
Detailed Biography of Bob Marley
Robert Nesta Marley was born 6th February 1945 in a small village called Nine Miles in the parish of St. Ann, Jamaica. His mother was an eighteen-year-old black girl called Cedella Booker while his father was Captain Norval Marley, a 50-year-old white quartermaster attached to the British West Indian Regiment. Bob had only a scant recollection of his father. This was largely due to the fact that the 'well to do' Marley family did not approve of the relationship Norval had formed with Bobs mother Cedella. His father therefore, despite marrying Cedella, was more an occasional visitor. He did not live to witness the success of his son Bob.
Bob Marley's Career: Early Years
In 1962 Bob Marley auditioned for a local music entrepreneur called Leslie Kong. Impressed by the quality of Bob's vocals, Kong took the young singer into the studio to cut some tracks, the first of which, called "Judge Not", was released on Beverley's label. It was Marley's first record.
The other tunes - including "Terror" and "One Cup of Coffee" - received no airplay and attracted little attention. At the very least, however, they confirmed Marley's ambition to be a singer. By the following year Bob had decided the way forward was with a group. He linked up with Bunny and Peter to form The Wailing Wailers. It was the time of ska music, the hot new dance floor music with a pronounced back-beat. Its origins incorporated influences from Jamaica's African traditions but, more immediately, from the heady beats of New Orleans' rhythm & blues disseminated from American radio stations and the burgeoning sound systems on the streets of Kingston. Clement - Sir Coxsone - Dodd was one of the city's finest sound system men.
The Wailing Wailers released their first single, "Simmer Down", on the Coxsone label during the last weeks of 1963. By the following January it was number one in the Jamaican charts, a position it held for the next two months. The group - Bob, Bunny and Peter together with Junior Braithwaite and two back-up singers, Beverly Kelso and Cherry Smith - were big news. "Simmer Down" caused a sensation in Jamaica and The Wailing Wailers began recording regularly for Coxsone Dodd's Studio One Company. The groups' music also found new themes, identifying with the Rude Boy street rebels in the Kingston slums. Jamaican music had found a tough, urban stance.
A New Life in America
Despite their popularity, the economics of keeping the group together proved too much and the three other members - Junior Braithwaite, Beverly Kelso and Cherry Smith - quit. Bob's mother, Cedella, had remarried and moved to Delaware in the United States where she had saved sufficient money to send her son an air ticket. The intention was for Bob to start a new life. But before he moved to America, Bob met Rita Anderson and, on February 10, 1966, they were married.
Marley stayed in America for a short time. He worked just enough to finance his real ambition: music. In October 1966 Bob Marley, after eight months in America, returned to Jamaica. It was a formative period in his life. The Emperor Haile Selassie had made a state visit to Jamaica in April that year. By the time Bob re-settled in Kingston the Rastafarian movement had gained new credence.
Marley was increasingly drawn towards Rastafari. In 1967 Bob's music reflected his new beliefs. Gone were the Rude Boy anthems; in their place was a growing commitment to spiritual and social issues, the cornerstone of his real legacy.
Marley joined up with Bunny and Peter to re-form the group, now known as The Wailers. Rita, too, had started a singing career, having a big hit with "Pied Piper", a cover of an English pop song. Jamaican music, however, was changing. The bouncy ska beat had been replaced by a slower, more sensual rhythm called rock steady.
Much of Marley's early work was produced by Coxsone Dodd at Studio One. That relationship later deteriorated due to financial pressure, and in the early 1970s he produced what is believed by many to be his finest work with Lee Perry. This pair also split apart, this time over the assignment of recording rights. They did work together again in London, though, and remained friends until Marley's death.
In 1970 Aston 'Family Man' Barrett and his brother Carlton (bass and drums respectively) joined the Wailers. They had been the rhythm nucleus of Perry's studio band, working with the Wailers on those ground-breaking sessions. They were also unchallenged as Jamaica's hardest rhythm section, a status that was to remain undiminished during the following decade. The band's reputation was, at the start of the Seventies, an extraordinary one throughout the Caribbean. But internationally the Wailers were still unknown.
In the summer of 1971 Bob accepted an invitation from Johnny Nash to accompany him to Sweden where the American singer had taken a filmscore commission. While in Europe Bob secured a recording contract with CBS which was also, of course, Nash's company. By the spring of 1972 the entire Wailers were in London, ostensibly promoting their CBS single "Reggae on Broadway". Instead they found themselves stranded in Britain.
Marley's work was largely responsible for the mainstream cultural acceptance of reggae music outside of Jamaica. He signed to Chris Blackwell's Island Records label in 1971, at the time a highly influential and innovative label. Island Records boasted a retinue of successful and diverse artists including Free, John Martyn and Nick Drake. Though many people believe that Blackwell interfered with what Marley wanted to do with his own music, others think that the knowledge this producer brought to the scene was critical in Marley's wish to bring reggae to the world. It was his 1975 hit No Woman, No Cry that first gained him fame on a wider level.
Marley and the band came to London in April 1973, embarking on a club tour which hardened The Wailers as a live group. After three months, however, the band returned to Jamaica and Bunny, disenchanted by life on the road, refused to play the American tour. His place was taken by Joe Higgs (original singing teacher of The Wailers).
In 1973 The Wailers also released their second Island album, Burnin, an LP that included new versions of some of the band's older songs: 'Duppy Conqueror', for instance, "Small Axe" and "Put It On" - together with such tracks as 'Get Up Stand Up' and "I Shot The Sheriff". The latter, of course, was a massive worldwide hit for Eric Clapton the following year, even reaching number one in the U.S. singles' chart.
In 1974 Marley spent much time of his time in the studio working on the sessions that eventually provided Natty Dread, an album that included such fiercely committed songs as 'Talkin' Blues', "No Woman No Cry", "So Jah Seh," "Revolution", "Them Belly Full (But We Hungry)" and "Rebel Music (3 o'clock Roadblock)". By the start of the next year, however, Bunny and Peter had quit the group; they were later to embark on solo careers (as Bunny Wailer and Peter Tosh) while the band was re-named Bob Marley & The Wailers.
Later Years
Natty Dread was released in February 1975 and, by the summer, the band was on the road again. Bunny and Peter's missing harmonies were replaced by the I-Threes, the female trio comprising Bob's wife Rita together with Marcia Griffiths and Judy Mowatt. Among the concerts were two shows at the Lyceum Ballroom in London which, even now, are remembered as highlights of the decade. The shows were recorded and the subsequent live album, together with the single "No Woman No Cry", both made the charts. Bob Marley & The Wailers were taking reggae into the mainstream. By November, when The Wailers returned to Jamaica to play a benefit concert with Stevie Wonder, they were obviously the country's greatest superstars.
The follow-up album in 1976, Rastaman Vibration, cracked the American charts. It was, for many, the clearest exposition yet of Marley's music and beliefs, including such tracks as "Crazy Baldhead", "Johnny Was", "Who the Cap Fit" and, perhaps most significantly of all, "War", the lyrics of which were taken from a speech by Emperor Haile Selassie.
Bob Marley left Jamaica at the end of 1976, and went to England, where he recorded both Exodus and Kaya, and where he was famously arrested for possession of a joint of marijuana.
It was to be Marley's last appearance in Jamaica for nearly eighteen months. Immediately after the show he left the country and, during early 1977, lived in London where he recorded his next album, Exodus. Released in the summer of that year, Exodus properly established the band's international status. The album remained on the UK charts for 56 straight weeks, and its three singles - "Exodus", "Waiting in Vain" and "Jammin" - were all massive sellers. The band also played a week of concerts at London's Rainbow Theatre; their last dates in the city during the seventies.
In 1978 the band capitalised on their chart success with Kaya, an album which hit number four in the UK the week after release. That album saw Marley in a different mood; a collection of love songs and, of course, homages to the power of ganja. The album also provided two chart singles, "Satisfy My Soul" and the beautiful "Is This Love".
Bob Marley's ninth album for Island Records, Survival, was released in the summer of 1979. It included "Zimbabwe", a stirring anthem for the soon-to-be liberated Rhodesia, together with "So Much Trouble In The World", "Ambush In The Night" and "Africa Unite"; as the sleeve design, comprising the flags of the independent nations, indicated, Survival was an album of pan-African solidarity.
At the start of the following year - a new decade - Bob Marley & The Wailers flew to Gabon where they were to make their African debut. It was not an auspicious occasion, however, when the band discovered they were playing in front of the country's young elite. The group, nevertheless, was to make a quick return to Africa, this time at the official invitation to the government of liberated Zimbabwe to play at the country's Independence Ceremony in April, 1980. It was the greatest honour ever afforded the band, and one which underlined the Wailer's importance in the Third World. Next album, Uprising, was released in May 1980. It was an instant hit, with the single, "Could You Be Loved" a massive worldwide seller. Uprising also featured "Coming In From the Cold", "Work" and the extraordinary closing track, "Redemption Song".
Death of Bob Marley
At the end of the European tour Marley and the band went to America. Bob played two shows at Madison Square Garden but, immediately afterwards, was taken seriously ill.
Three years earlier, in London, Bob hurt a toe while playing football. The wound had become cancerous and was belatedly treated in Miami, yet it continued to fester. By 1980 the cancer, in its most virulent form, had begun to spread through Marley's body. He fought the disease for eight months, taking treatment at the clinic of Dr. Joseph Issels in Bavaria. Issels' treatment was controversial and non-toxic and, for a time anyway, Bob's condition seemed to stabilise. Eventually, however, the battle proved too much. At the start of May Bob Marley left Germany for his Jamaican home, a journey he did not complete.
He died in a Miami hospital on Monday May 11, 1981.
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